Currently you have JavaScript disabled. Was it printed, and how so? At higher exposures (generally +3 and +4) the magenta tone in the highlights increased across the film stocks and required more correction. When overexposed, the film turns from a somewhat ordinary high-ISO (that’s what the “H” stands for in the name) portrait film into something almost magical. Std and Astia, to get the look that I was after, but I just couldn’t get it right. I do not like this film stock. Color Chrome Effect: Off Fujifilm introduced Fujicolor Pro 400H in 2004 and it’s been a popular film ever since. It produces vivid colors with a soft contrast, and, compared to a film like Kodak Portra 400, it has a cooler toned appearance. Shadow: +4 I currently have plans to do an experiment somewhat soon to compare it with Portra 400 in a range of scenarios, shot in duplicate – one for a neutral exposure and one over exposed by 1 stop. White Balance: Auto, +2 Red & +2 Blue I’ve tried in the past to create a Pro 400H recipe for Fujifilm X cameras, but I was never happy with the results. What do you think about the difference in the film interpretation? When overexposed, the film turns from a somewhat ordinary high-ISO (that’s what the “H” stands for in the name) portrait film into something almost magical. The film could get that way, too, especially when overexposed 3-4 stops. Noise Reduction: -4 Here we have Fuji 400H shot at 2 stops under box speed, and 2 stops over box speed: We thought you might also like to see how each of the film stocks in our experiment, react to different exposures.

You might try some shots with +4 and some with +3 and decide which you like better. Color: +1 Nobody pays me to write the content found on fujixweekly.com. Something that I went back and forth on with this recipe is the shadows. Color Chrome Effect: Off Example photographs, all straight-out-of-camera JPEGs captured using my Fujifilm X-T30 Fujicolor Pro 400H Overexposed film simulation recipe: Annoyed – Farmington, UT – Fujifilm X-T30 “Fujicolor Pro 400H Overexposed”, Reading – Farmington, UT – Fujifilm X-T30, Markers – Farmington, UT – Fujifilm X-T30, Lego Car – Farmington, UT – Fujifilm X-T30, Ocean of Books – Farmington, UT – Fujifilm X-T30, Suburban Sky – Farmington, UT – Fujifilm X-T30, Neighborhood – Farmington, UT – Fujifilm X-T30, Tree Trunk Between Shrubs – Farmington, UT – Fujifilm X-T30, Liquid Obscurity – Farmington, UT – Fujifilm X-T30, Evening Windows – Farmington, UT – Fujifilm X-T30, Closed Umbrella – Farmington, UT – Fujifilm X-T30, Raining In The Pool – Farmington, UT – Fujifilm X-T30, Observing – Farmington, UT – Fujifilm X-T30, Outdoor Mall – Farmington, UT – Fujifilm X-T30, String of Lights – Farmington, UT – Fujifilm X-T30, Disconnected – Farmington, UT – Fujifilm X-T30. Thank you! I think the skin tones are a little off; a bit too reddish-pink. Send Us Film Shadow: +4

Posted on December 23, 2018 by Ritchie Roesch, Taking Out The Trash – Ogden, UT – Fujifilm X-T20 “Pro 400H”. I ended up choosing +4, but I think +3 would be just as acceptable. Your knowledge and hard work gives us plenty of joy using our cameras! But still, the combination given us by Ritchie ensures splendid effects! This gives us more ‘information’ to work with in the scanning process at the lab, and allows room for more colour correction if required.

Change ). I only tested with my X70 so far (X-Trans 2 sensor processor) I prefer the results with color at 0 and +1 for shadows (it only go to +2) and decrease the sharpness I find it more organic, filmic. I come back to it when I am trying a new stock. Ive been told that it benefits greatly from being overexposed. Discussion in 'Wedding and Event' started by angie_w, Jul 3, 2006. We highly recommend viewing these images from around 3 feet / 1 metre away…the (sometimes subtle) differences are more apparent this way. All film was developed normally, with no push or pull processing. https://freewheeling.me/tag/pro400h. Recently a Fuji X Weekly reader, Mauricio, shared with me his settings for Pro 400H, and he asked my thoughts on it. Color: +1 ( Log Out /  I’ll admit that I haven’t shot enough of it to really feel like I’ve been giving it a fair shot but I will sooner than later. I think that what I dislike most about Pro 400H … I’m just catching upon the newest articles, thanks for all your hard work, I know it must take a lot of time to tweak and get these just right. Perhaps use +4 in low-contrast scenes and +3 in high-contrast scenes. So first up, we’ve selected what we would consider an optimum exposure for this type of light (+2) and shot the following film stocks: Fuji 400H, Portra 160, Portra 400 & Portra 800: This is a direct side by side comparison of Fuji 400H and Portra 400, the two colour films we most frequently handle at UK Film Lab: This next shot is a great way to see the hugely important role that good exposure plays in the final look of your images. Fujifilm introduced Fujicolor Pro 400H in 2004 and it’s been a popular film ever since. Today, Pro 400H is often compared with Kodak Portra 400, though it has not reached anywhere close to the same hype. But I should try before, I am sure the HT -2 will help. Hi Ritchie, thanks for another great recipe. Under what conditions and scenes do you think this recipe is useful?

Perhaps use +4 in low-contrast scenes and +3 in high-contrast scenes. I Will Always Love You – Farmington, UT – Fujifilm X-T30 “Fujicolor Pro 400H Overexposed”. I have no idea if any of that is true. Hopefully with some experimentation, I can find where this film would shine in my work. Pricing Anytime that you are attempting to recreate the look of a certain film with a digital camera, there are variables that make it difficult. Much like myself, he experimented with a lot of different film stocks to see what he liked best and eventually he settled on Fuji’s film over Kodak.

Color Chrome Effect: Off It’s a kind of magic . Much like myself, he experimented with a lot of different film stocks to see what he liked best and eventually he settled on Fuji’s film over Kodak. Sharpening: 1 UK Film Lab Spotlight | Britt Spring », Casey - Very helpful.

To this day, he insists that Kodak still … Click here for instructions on how to enable JavaScript in your browser. We spot metered using an external light meter.

You will have to report back if you like it. | Lilly Schwartz Photography - […] Kodak Portra 400 vs Fuji 400 H […]September 20, 2014 – 1:45 pm, Shared: Kodak Portra 160, 400, 800 vs Fuji 400H | MrLeica.com – Matthew Osborne Photography - […] http://ukfilmlab.com/2014/04/24/film-stock-and-exposure-comparisons-kodak-portra-and-fuji/ […]July 31, 2014 – 8:28 pm, Your email is never published or shared. Sharpening: 1 I had read that one of the films that was the inspiration for the PRO Neg.

Here is a link to a video showing the comparisons of shooting Fuji 400H and Kodak Portra 400: For starters, in this video and for the photo examples, the film was rated at 200 ISO. Thanks for doing the hard work!December 29, 2016 – 2:17 pm, PAULIUS MUSTEIKISExpired Kodak Ektachrome E100VS | Hasselblad 500 CM - […] is very sensitive to correct exposure. AFAIK he’s shooting film using the either Pro 400H or Kodak Protra 400 to achieve those look. Was it scanned, and how so? I just couldn’t believe that I finally did it! ( Log Out / 

I also debated on Color, settling on +1, which might be too high. Our overall objective was to help photographers see the benefit of exposing their images well and avoiding underexposure, and to help give you a feel for the look of the different film stocks. Follow Us // Instagram, Home Pro 400H is definitely a tough film to make a recipe for. Color. This helps me see the latitude is nearly equal. I also debated on Color, settling on +1, which might be too high. Std and Astia, to get the look that I was after, but I just couldn’t get it right. Change ), You are commenting using your Facebook account. Sharpening: 0 I feel like +4 is too much sometimes, and +3 is too little sometimes. Perhaps use +4 in low-contrast scenes and +3 in high-contrast scenes. Photographers often overexpose this film by as many as four stops. Example photographs, all straight-out-of-camera JPEGs captured using my Fujifilm X-T30 Fujicolor Pro 400H Overexposed film simulation recipe: Annoyed – Farmington, UT – Fujifilm X-T30 “Fujicolor Pro 400H Overexposed”, Reading – Farmington, UT – Fujifilm X-T30, Markers – Farmington, UT – Fujifilm X-T30, Lego Car – Farmington, UT – Fujifilm X-T30, Ocean of Books – Farmington, UT – Fujifilm X-T30, Suburban Sky – Farmington, UT – Fujifilm X-T30, Neighborhood – Farmington, UT – Fujifilm X-T30, Tree Trunk Between Shrubs – Farmington, UT – Fujifilm X-T30, Liquid Obscurity – Farmington, UT – Fujifilm X-T30, Evening Windows – Farmington, UT – Fujifilm X-T30, Closed Umbrella – Farmington, UT – Fujifilm X-T30, Raining In The Pool – Farmington, UT – Fujifilm X-T30, Observing – Farmington, UT – Fujifilm X-T30, Outdoor Mall – Farmington, UT – Fujifilm X-T30, String of Lights – Farmington, UT – Fujifilm X-T30, Disconnected – Farmington, UT – Fujifilm X-T30. I debated on whether +2 or +3 is the best setting for shadows. If you think that +4 is too saturated for your tastes, simply find the color setting that works best for you. A quick recap on … At least not like I do with Portra 400.

It was close! The X-Trans III sensor has a lot of dynamic range, but it cannot hold up to a three stop overexposure. It boasts an incredibly wide exposure latitude, extraordinarily fine grain, and a true-to-life color palette. Fujifilm introduced Fujicolor Pro 400H in 2004 and it’s been a popular film ever since. Today, Pro 400H is often compared with Kodak Portra 400, though it has not reached anywhere close to the same hype. I feel like +4 is too much sometimes, and +3 is too little sometimes. refer to stops of underexposure or overexposure achieved ‘in camera’. CFL-Pro https://nicostop.nikon-image.com/entry/film/lecture/2019/09/10/1 Provia so we shot on a fairly settled weather day and chose a softly shaded area, setting the Contax up on a tripod. Example photographs, all straight-out-of-camera JPEGs captured using my Fujifilm X-T20 Fujicolor Pro 400H Film Simulation recipe: Red Chairs In Snow – South Weber, UT – Fujifilm X-T20 “Pro 400H”, Up From The Snow – South Weber, UT – Fujifilm X-T20 “Pro 400H”, Second Day of Winter – South Weber, UT – Fujifilm X-T20 “Pro 400H”, Frosted Trees & Winter Sun – South Weber, UT – Fujifilm X-T20 “Pro 400H”, Cold Neighborhood Morning – South Weber, UT – Fujifilm X-T20 “Pro 400H”, Some Lady’s Book Store – Ogden, UT – Fujifilm X-T20 “Pro 400H”, TV Fiasco – Ogden, UT – Fujifilm X-T20 “Pro 400H”, Pierre’s Miniature Bakery – South Weber, UT – Fujifilm X-T20 “Pro 400H”, Christmas Decoration – South Weber, UT – Fujifilm X-T20 “Pro 400H”, Faith – South Weber, UT – Fujifilm X-T20 “Pro 400H”, FED 5c Rangefinder – South Weber, UT – Fujifilm X-T20 “Pro 400H”, Bolsey Behind Bars – South Weber, UT – Fujifilm X-T20 “Pro 400H”, Fake Grass In A Box – South Weber, UT – Fujifilm X-T20 “Pro 400H”, Lavender & Twine – South Weber, UT – Fujifilm X-T20 “Pro 400H”, Pentax & Fujifilm – South Weber, UT – Fujifilm X-T20 “Pro 400H”, Three 35mm Film Canisters – South Weber, UT – Fujifilm X-T20 “Pro 400H”, Vase Arm – South Weber, UT – Fujifilm X-T20 “Pro 400H”, Red Fire Hydrant – South Weber, UT – Fujifilm X-T20 “Pro 400H”, Neighborhood Window – South Weber, UT – Fujifilm X-T20 “Pro 400H”, Dead Rose Bush Leaves – South Weber, UT – Fujifilm X-T20 “Pro 400H”, Frozen Leaf – South Weber, UT – Fujifilm X-T20 “Pro 400H”, Moon Rise Over The Mountain – South Weber, UT – Fujifilm X-T20 “Pro 400H”, Snow Dusted Peak – South Weber, UT – Fujifilm X-T20 “Pro 400H”, Mountain & Cloud – South Weber, UT – Fujifilm X-T20 “Pro 400H”, Brick Wall Boy – South Weber, UT – Fujifilm X-T20 “Pro 400H”, Car Play – South Weber, UT – Fujifilm X-T20 “Pro 400H”, Girl By The Window Light – South Weber, UT – Fujifilm X-T20 “Pro 400H”, Green Night Shed – Layton, UT – Fujifilm X-T20 “Pro 400H”, My Fujifilm X-T30 Fujicolor Pro 400H Overexposed Film Simulation Recipe, Fujicolor Pro 400H film simulation recipe, My Fujifilm X-T20 Fujicolor Pro 400H Film Simulation Recipe, I suggested Fujifilm include this as a new film simulation in future cameras, Fujifilm X100V Film Simulation Recipe: Kodak Portra 800, Fujifilm X-T1 (X-Trans II) Film Simulation Recipe: Porto 200, Review: Fujifilm X-T200 – Budget Camera, Beautiful Pictures, Fujifilm X-M1 (X-Trans I) Film Simulation Recipe: Vivid Color, Fujifilm X-M1 (X-Trans I) Film Simulation Recipe: Monochrome, Fujifilm X100V Film Simulation Recipe: Kodak Portra 800, My Fujifilm X100V Kodachrome 64 Film Simulation Recipe, My Fujifilm X100F Kodak Portra 400 Film Simulation Recipe, My Fujifilm X100F Vintage Kodachrome Film Simulation Recipe, My Fujifilm X-Pro2 Kodachrome II Film Simulation Recipe, Fujifilm X100V Film Simulation: Kodak Portra 400, My Fujifilm X100F CineStill 800T Film Simulation Recipe, My Fujifilm X100F Classic Chrome Film Simulation Recipe, My Fujifilm X-T30 Kodachrome 64 Film Simulation Recipe.



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